If you want to know something of this is as a rather complex topic, then it's recommended you read some of it throughout my whole lengthy writings, as I do this quite often when I write these days and enjoy the relaxing work of writing out my various thoughts new and old on the topic I chose.
If you want to read it all, you learn more then something, but I understand it is very long and the details do matter, most of what I say is important and unless I'm writing an essay for past school experiences I don't find interest in, I am unlikely to write something just for filler.
I have done that, but these days I have a lot to say on the topic that has grown progressively experiemented with and understood, the topic is omniverse exploration and this is exploring worlds within the mind then matter one has access to and this post features easier and more complex examples of travel and one of several initial world examples I am sharing.
At the edge of where I was when I was writing the large text and discovered an old and new form of travelling to distant worlds, I wanted to remain there and explore it further. This meant refraining from the story that had taken me so far away from norms I had become quite confused.
As a foreshadowing, this post explains some physical inventions of another world and then discusses the doorways to other strange lands used by this world, this world is inspired by the original worlds I traveled in nature of its physics, through these similar methods. The physics, I built with pareidolia, some details of it explained as the last part.
In simple the multiverse cluster explored here is avondale and its extent is quite extreme, the worlds within so diverse that they could be explored for a ridiculous amount of time and for the time being will be my residence.
The goal of these posts are to explore three physical worlds, three Quaprobility worlds and three perceptual worlds of proximity to the old worlds explored within this chain of blogs.
The images of these worlds were created by deciding the shape of the scales large to small and describing their functions then viewing the described place as one image and some at different scales drawn.
We travel worlds through artworks, because they must be opened up in construction to venture farther outside our own moment of time, since a moment is shifting to another and moments disconnected must be linked somehow. The moment of the image is sufficient for viewing them effectively and even navigating these landscapes can be done with artworks of worlds.
Those arts are mostly for immersion, the world we reside in is only existent on one timeline divided by calendars of the planet, so alien scenery is not accessible efficiently any other way. The world below can be viewed with pareidolia on buildings viewed as mountains instead since it meets the appearance enough.
The tools of the people one could easily acquire if discovered, because they mostly use paper and pareidolia for smaller things and any larger thing is built from wood or the land and has equivalents on our timeline.
Part 1
Below is the first depicted world on the passage between earth and aerth, this section is called Luna and is a memory of my early days of travelling. Yet it only represents one corner and these corners are actually composed of the two sides of the cluster which they are located between.
Meaning this world uses both debate and beleif at once instead of one or the other, later shown examples will use other blends of beleif, debate and difference as organized gatherings of worldview.
More exist outside this one, but the worlds actually existent in the omniverse is so vast that this would be incredibly difficult to organize and like many normal things greater popularity is required for more then a solitary journey in the omniverse.
Worlds have cascades I call corebits that are manifestations of parallels in everyday activity, so the worlds can sometimes enter everyday life in subtlety by converged ideas forming in likeness to what has been seen by a traveler. This comes from my own experience.
We will discuss this later on in this post.
The world we explore right now is drawn below, the crescent shape is represented by our own crescent moon. Although a mountain near oneself can also fit this detail.
The physical worlds of Avondale are worlds which build off the scale direction that is from inwards to outwards external reality called physical and is compared to the perceptual and pheyscaptical worlds that are not the inwards to outwards realities.
This reality like any physical reality functions through the use of the material to build a world that is mostly external and creates objects through the matters they study and the way in which these things become one or another function outside the self.
This world has a complex physics from the subparticulate to the supracosmic and studies the nature of this reality through the differences built in those places by the workings of their physics which here is considered incomplete and still studied.
The world works firstly by the super positioned particles of the the world, which forms realities many states observed in the same situation, for example these particles allow a shape to resemble more then one thing at a given time and this means that an object can be as such through pareidolia and so resemble multiple things depending on where it is observed.
The world we observe studied propriety and the objects created to have an object in multiple states at once, by creating and studying different forms of object inside one shape, by building them out of paper and allowing the object different positions. This is further controlled by the sub particulate hyper position which represents an object that has one collapsed function and many superpositions inside that single use.
This would be as deciding the above propriety image is a rabbit and the rest of its positions are a set of transformations the rabbit can become.
Further the world, still unnamed, can actually use these specialized superpositions and hyper positions through cellular bonds, unbonds and nubonds which represent different ways the attach the objects together and form the resulting new invention.
Bonds are fully attached, unbonds fully apart and nubonds are simply balanced in place of contact but not attached. These objects of the world we will call Folden, are made out of paper and composed further of wood when larger in structure.
These structures have three components of structure, called string, polygon and particulate which form the whole physics known of olden. These are essentially the outline of an object, the surface of the object and the objects content respectfully.
These are used by the world in several ways, but only represent the sub-human scale of reality, the supra-human scale follows a few example inventions the people build.
The examples shown were designed of the celestial chart below, which represents meaning and specialized colors chosen, the colors are not the normal colors while harboring them because the amount listed did not fit the normal standards.
Sup-human scale builds
The first created paper invention is a decoration light which uses the ideas of emotion and ignorance together and thus has posits of pareidolia that make it look emotional or unclear in what it represents by the distinction of its seeming mood in some parts glanced and some parts not.
It is hung inside the buildings of the world of Folden.
The wall papers of Folden are hand drawn as the rooms background.
This was a simple example, however the following example begins differently because it contains multiple interacting positions of superposition and hyperposition.
The above image did not use the taught pareidolia method but rather used hallucinations of the unfocused eye, called photoforms to view the manifestation of a meaning on an object in the same sense as viewing photoforms with one's eyes closed before bed. It matches the shape of the photoform to the object in front of you and so forms the pareidolia that is seen.
The light has many examples of emotion and ignorance within it. However these symbols are arbitrary, the pareidolia works in many places of objects but some are better then others and closer to the exact form. This is because the shapes in mind for concepts mirror the reality in front of you, locating the physical of a mental idea shows its physical formation versus the mental idea.
The next image shows the designed step process of our newly constructed object that follows it, also taken from the celestial object previous. It follows a set of steps that perform an action in continuity to produce the effect of the end that is more complex then a single action object.
The steps are below:
The object then created is a device that is flat in most cases then becomes folded into another form that represents a function different, it forms into a distinct thing from its immediate first form and either form represents something, thus this object has two or more states formed from pareidolia as it is folded and forms different functions through those forms created.
Functions work through the same pareidolia features as anything in the world, for example a car, is traversing the pareidolia of the world and so one remains in place and travels the world through the shapes changed on the same surface. People walk around this world which is not very large.
Below is an example object that uses the above idea, its served features are explained following the image showing its used states, which could be as previously mentioned and so more or less.
This is a Foldvision, the equivalent to television on Folden, which uses a peice of paper that can be folded in a variety of ways to reveal a plot that is read then seen in the pareidolia around the room.
Certain rooms are better for different channels that can be acquired and the story can be seen somewhere across the room at different times while also featuring different arrangements of what is seen.
The next object is more complex because it uses color with pareidolia to create a more complex interaction and allows a more diverse view of form. This means the colors have meanings assigned with the paper and pareidolia that create unique works of behavior.
This is the table for its construction similar to the second object:
Then the one uses pareidolia on it to see what it is and forms an idea in mind through it with inclusion of its referenced colors and their meanings in place.
Before viewing the reaction this orientation has with a drawn horizon image of its own meaning. This creates a form of environment that can be constructed or a micro form for when needing it.
The object creates temporary worlds to view where the small window allows the formation of an area, through identifying the context and the surroundings and allows a diversity of additional doings through smaller spaces.
One is depicted below, but many forms and color uses exist beyond the example of this device.
Our final object uses the cellular bond, unbond and nubond which connect the interactions of the three previously shown objects to form a more complex thing, which allows viewing multiple themes, viewing a plot and allowing a changing environment inside the same object set and paper backgrounds.
For the most part it looks the same as the above image and behaves through the processes of all three previous objects. The object is mostly another form of entertainment for the world of Folden.
Now we will explain the powers of the supra human scale, then we will discuss the physics in some deeper detail before continuing with the next world within this portion of example description.
Supra-human scale builds.
We now explore the world's described larger body of technology, larger then one person which create the other half of this worlds work and help allow its access to a traveler when viewing it.
For ones own curiosity, to travel worlds is mostly knowing the ability to describe something unheard of in a depth larger then a single idea and can be learned with practice, although more information I will try to provide eventually and this world uses a method of gate wormhole to travel to nearby reality itself, which some may find interesting and familiar.
Traveling worlds like in fiction is advanced technology only accessible with more complexioned systems of use and the exact natures are not always clear for those shown in fiction. My room is seemingly stereotypical being a small room and all I need to travel within it, but it is nowhere near as fully immersed as shown on television and the example below is not possible for me in my room and is a possible door within the right context that could be built these days.
The portals seen in fiction while similar are not known in whether they could exist, but I presume if they do they are not easy to acquire at all because its so easy to break the law with them and could be very risky to use at all because of where you might end up and your ignorance of their own ways.
The closest two forms that are like it are virtual reality and dreaming.
The world of folden uses a gate wormhole and other doorways to worlds, doorways are essentially exactly what they sound like, a door to other worlds. The most simple doorway is a real literally doorway because from outside reality is a certain way and inside it looks completely different and can vary just as much as outside.
Most doorways I use converge on other probability of reality that can exist and study them and extract objects or experiences to recreate here by meeting the same definition, essentially the bridge the reality in mind and reconstruct the situation in our reality or at least my immediate solitary one. these are surprisingly effective within their limits and sleep and other methods help greatly and is my current understanding.
Below is a technological more visually powerful example, that could bridge a situation constructed to another, using situations built with the rest of the tools I usually use, meaning the objects and the contexts I travel all the time. This would create different pocket realities that are bridged with doorways that lead to other scenery's and rules of reality.
Some pink lights, a tunnel and a smoke machine, it makes a wormhole that looks something like in the movies and the cartoons, its just a little low mood for such a high style effect.
Their is nothing special about the wormholes in movies and fiction in general, from the best of my knowledge the only way to build one is to make a hole and another space behind it and add a special effect. More complex forms at larger distance are done with virtual reality and cameras in the space with bridges to various experiences.
If something far more literal to things in fiction exist, I immediately assume they are far far more deep in reality then even science currently knows and currently are not easily locate able in nature beyond the apparently fully open example that is the entire outer space we can see and beyond.
As a result, even if it does exist I doubt any average person would be permitted to just use one and thus the mentally traverse multiverse is both safer and easier to navigate, while still containing the same whole universal reality excluding what anyone has yet discovered.
It works by basing itself off parallel timelines, which in time deviated from our own would not know matter the same way for having used it differently and thus their way of life, technology and understanding would resemble something else we can still imagine and redo here in this one without breaching any space time divide as these realities share the same physical nature and simply differed on human differences about reality, that actually work.
They all do, the only part of mind that does not is the part we look for that actually is wrong, its the part of mind for wrong ideas like thinking you can fly if you jump off a cliff. You need at least a parachute for flight because its beyond your mind and not an idea of flying but the real ability to fly.
Below is a description of some basic doorways that I have found, although their truly are numerous known and unknown although in practice as doorways they are different from art in being more detailed and complex.
A wormhole is a physically accessible portal with two accessible ends, this means anything like a normal door, another method similar is a vehicle and a vehicle must exist between either point to be considered a wormhole in my own definition although a wormhole must lead through a curvature of space that is itself to another location.
A curvature of space is made with a barrier of matter that curves the space itself to only occupy where the matter does not exist. You can see this by looking at the space around an object, the curvature of space also effects the navigation of the area, only some things fit within it others would need to be compressed or destroyed.
I am uncertain if this meets the definition of science as their closest known example is a black hole and this curves light. My own assumption is immense mass of dark colorization inside the center, this is possibly due to a new directions of spacetime although that is unknown even to me but would need several more scale directions to trully understand.
The wormholes of another reality do not necessarily have to meet the definition of another, each reality we will discuss uses a different doorway method.
It doesn't mean they don't exist, the problem is that a person can only think of things they've seen and what is built of what they know and understand, we can't think up the way to the fictional portal in reality because the only place we've seen these magical portals without explanation is in fiction where they already exist and the equivalent if it exists materially has never been seen to be understood and controlled, thus we cannot know how to make one.
It may be hyper rare and or highly unnoticed in all our seen, or is what I've already shown as a matching function or a future of advancements of that same premise.
A portal is like a wormhole, but we cannot reach the other end in any other way, a book or the images of worlds drawn here are portals, because they depict another world that cannot be entered except with the entry to the reality whose exit cannot be found anywhere by other vehicle. We enter a painting by seeing it, we read a book to fall into its pages and we play a game from here to reach there instead of our current position.
Another interesting note, if portals were real and easy, simply consider how many times you died in the video game before completing the goal and decide if your that good at doing it for real on the first try. The idea of such an instantaneous success and a desirable experience like in fiction with something so unknown as it depicts is a high risk to the self.
None the less, I am uncertain if my own experience with my own travels is related or divided from my bouts of psychosis due to initial inspirations for errors springing from debilitating eureka moments ( As i describe them ) that were psychosis that I reformed as functional.
Only one of these moments was stable and didn't lead to hospitalization, the rest did, viewed subjectively to myself, mostly from communicating the ideas when the ideas where still unclear. Behavior complaints, paranoia from error of interpreted effects of reality noted, that were later detached from delusion and used as stable sprays of manipulation.
Theirs a difference between an uncontrolled delusion springing from a chemical imbalance and what someone can discover and use from the actual mental functions activated that created the delusion as an effect of the actual reality of that function.
None the less, if the following exists as your state of mind. If you believe a person with psychosis at periods of his life must by definition forever be without possibility of truth in his words and can never again speak truth is how you feel. Then most politely feel free to depart from here.
Anyways, returning to the idea of video games. For any ones curiosity, In time I will finish a post regarding each psychosis and related and important details of my life that are mostly only related to why I think the way I do and how I view reality. This post is more personal introduction of myself, that discusses how all this actually began and came to be up until today and further shows how I was before and in progress of this journey.
I share this detailed story, firstly because it is all I remember about my life at the moment and because some of my old behaviors are unsavory and some aspects of my work have helped this and the work has saved me from a far more miserable life of mostly solitude that existed outside this project and progressing issues with boredom that would have lead to a very much unpleasant experience, instead of something I can at least live with while not what most would call the best life.
I like it though, cause its a happy and a sad story and those are the best stories.
Video games are primitive high detailed portals, they lack physical modelling beyond the characters and basic known reality parts needed. A real virtual portal would actually model more of the reality itself then solely video game mechanics and may even generate it alone. I may be making one at some time future at a simple level.
Gates are more dangerous but the most realistic doorway I have found, my current living situation is a gate because I live alone in a small room in a town alone with no one to know, only know the outside from the Internet and what I see if I look and the surroundings are thus isolationist and so changes appear without warning and context is lost.
In my own situation that is forced by solitude and willing anyways as best example context, my own changes are also alien to the rest of the reality, this leads to a dissonance of understanding that produces both an alien experience in meeting me and an alien in meeting the world by me.
This has already been experienced by me, as I am familiar with more of what I do then most people are familiar with what is going on in what is already popular in the reality, because the known and commonly discussed by most I understand in their essential detail and not complexity.
Meaning I know how magic, science, art and philosophy work in basic detail of functions but not their whole complex and diversified nature.
I use the Internet to research anything I have not encountered or need to understand. A gate has been used before by people who do not want to know whats going on beyond them so they detach from the news and live in their present area only, this can be both unsafe and more relaxing by loosing outside context.
Since ending up in this situation I still have no idea what certain conflicts are actually about, but do think theirs never a need for conflict if one hasn't been created by some party with accidental intent
The reason it is called a gate, is because like a gate it forbids entry and so context of a situation is forbidden from entering the awareness without an attempt to know it. It has varied consequence and for myself and my exploration of the omniverse and its multiverses I find both optional and well suited for me.
However, this is a basic summary of doorways, doorways used by me include others different and also quite interesting, one discounted I use often as well is a book doorway because the narrative and physics are converged and reconstructed for myself to efficiently explore inside my room as my world ship of sufficient resources and geometry for pretty much any requirement I currently need.
Although I cannot produce my own light or use electricity or heat beyond the provided of the house or lights purchased at the store or my phone. Simply as a comfort and safety concern automatically considered for other tenets.
Yet this matters not, as electricity and heat are a bias of the scientific reality and its technology that my own curiosity is enjoying finding other forms beyond it, such as the previously shown television that while alien to earth science, although similar purpose. Further study is needed for motion however at this time but is not impossible. For example:
This is an example I posted on reddit on my subreddit about this subject, I am more easily reachable there as I don't check emails or often check the comments.
The object is a metaphysical imagined object that was not given properties only shape, which was extracted using a memetic subcomp computer ( a non electric reverse reality computer that is user processed but scripted ) and gained unexpectedly the capacity to move a surprising distance on its own. This is due to weighted contents and balance.
This was my best example of balance as a force, but is as far as I have accidentally succeeded.
Extractions are a doorway which rearranges matter to created an object from another reality inside actual reality as any invention and is the most advanced known doorway I can think of, it essentially rearranges the positions of matter to another time space and space time moment, resulting in an arrangement of another reality and the dinger orb is a good example.
The reason they work, is because reality is universal in its underlying function, what happened here is a chance event of the whole but the whole functions as a whole exactly the same, the exact circumstance for something must simply be recreated here to be accessed and the likely hoods of all probability natural vary but the human hand can manipulate these probabilities far more effectively.
A car built by chance alone without humans is very unlikely and would take forever to actually occur as each part would have to end up together correctly, but it could happen because cars exist, it's just an absurd potential event and would likely not be a polished Ferrari even then. It's chance as a reality somewhere in the whole scale of outer space, if actually infinite in size and contents is 100% guaranteed.
None the less, the following doorway is a useful and very old discovery of mine that has been updated, I discussed it on my second blog but knew of it for half a year before then and uses pareidolia. Recently has been combined with the mendala effect, to produce a sense of uncanny reality that actually works quite well.
These are some doorways used by this world, that is familiar in its works both pareidolia and doorways to myself, they are the ones I know best and they are the ones I've used the longest although the coming example is the true original that I experienced when I was delusional the second time an wanted to go to another world.
The experience wasn't a delusion itself and taught me many of the ways to other worlds for a few years to come in one spontaneous storming out of my building in rage in the middle of a winter night with a grandiose desire to see other places.
It was among the first experiences of that psychosis that were in fact useful without real consequence if prepared, that was only dangerous at the time because I wasn't and I'm still surprised I wandered all the way back home while completely lost and knowing not how.
The portal has varied needed requirements to meet the entry required, but it actually leads to among the most realistic of experiences, although its most effective form is ill advised in larger cities or late at night and especially without a online map to guide you out of the lost zone.
What was unsafe about it was walking far from where I had ever been before, in a large city with crime in the dark hours of the day in a very cold Canadian winter night, angry and rambling and wandering around aimlessly until I didn't recognize anything at all on low battery and telling no one.
What I learned that night and what a more precautionary journey could still do, is a very novel experience I believe I can still do in my very small town I currently reside in. I never fully mentioned it before beyond one part because I used to think it only worked where I had never been before and this makes it less safe, but more recently I've noticed a similar method for commonly ventured areas.
I will tell a retelling of the experience without the madness and then explain how the people of Folden use this method and why it works and actually is another world, although its exact reasons are less fascinating then they might appear.
That night I walked through a dark city, far into the suburbs and wandered aimlessly past large buildings and places where I saw alien things I couldn't understand in my state of mind.
I saw vast and wide apartment buildings so wide I had never thought them possible to be, then I saw pillaring ones so thin they seemed outside the norms I had ever known, before entering a convenience store that was also full of used children toys littered about and bought a pack of smokes I would later find wasn't shaped the same as an identical brand.
Then I went to a restaurant an ordered a pop and strange asian soup can I had never heard of, investigated politely their strange curtained closet with bent curtain screen parts and looked at their floor with broken clocks before walking out before they served me, which must have seemed strange to the workers I had payed and saw the mirror with neon and glowing writing on it that had drawn me to the restaurant before. Presumably I must have looked like a stranger to normal life itself.
Later on, I saw a church with stain glass windows of Jesus but he had a black halo instead of a white one, interestingly knocking on the door and asking for someone I was looking for in my head, the women there thought I meant someone else and guided me a direction to go in that would inevitably help me find my way home from recognized scenery.
I later saw a massive building I thought was a school, with windows showing hand prints and a vast and strange park behind it that didn't look like a normal park for lunch break, turning the corner I saw a sign that read school for seniors and concluded this worlds education and living was backwards, people came alive old and became young till death.
I walked aimlessly on hills and felt as an animal in an unknown forest, then began to find my way back, by passing through a more distant campus of my university I had possibly already been to and inside I saw some gothic like students still there, who I presumed were the vampires who attended school at night while normal people slept and saw they left their bike wheels outside class instead of their cell phones.
Then I finally made it back and my friends and acquaintances at the building I lived were excited to see me as I had vanished mysteriously for hours and had come back and said I had seen weird things on my walk. They agreed that it sounded like a weird walk, I didn't tell them it was another world, later I would look at blue gum on the ground and say:
"The sky has fallen to the earth."
And they would laugh with me, for such an out of context sentence.
I was very loopy for most of the days I spent there, I would only become less unstable as time moved on after about 6 months, but I would never be the same, as I would often see dragons in the sky from pareidolia and this whole journey had been mostly pareidolia and ideas I concocted in a state of mind.
The only other experience worth mentioning, more clearly relevant to the other post on my madness was the splitting of the moon into four parts of two colors red and blue, any full moon when looked at the right way will split apart like this:
I mostly just wanted another picture for the post, its relevance is more complicated and unexpected. Its among the reasons unconscious for why my mind lost touch with reality that year. Only returning in a mostly functional state of real thought and control because I suddenly thought an absurd idea for no reason.
It's only important because its where much of all this began, beyond a few stories written and never finished and a philosophy uncanny to what others had all said was in a life that wasn't going anywhere at all and failing school. Just how it happened.
What happened however, is that I was in a new place but also in an old one where I looked at features of normal things and new things in position of eye and overall motion of glance in a new way, leading to a feild of view that had been focused by pareidolia in a new experience of the same common things and rich in details of those whole objects that were had yet ever been seen like that.
This paired with a narrative of ideas alien to normal thought based off the new experiences showed a visual and mental reality that was unlike the normal one I knew and the experience created a gate and a wormhole that lead to a new reality.
However the reader must wonder, is this actually a new reality or is this just a trick of the eye and mind, the answer is that your reality of experience mind and visual are formed by your daily life and habit of looking at something a specific way as pass by it everyday and your way of thinking about it is the same.
In changing how you see it and think it, you cross both into a parallel life of another like you somewhere in probability and you experience another world similar to your own that is not the same.
This is done by convergence of the moments in time, which is mostly my view that all time occupies an imaginary space as its full details of all time moments, whether it all exists in some real place or simply becomes real when it becomes possible, when its experienced it proves its possible and real and the crossing to it means only meeting the moment.
The world experienced, is bordered by your ability to remain within it, leaving any reality means simply changing something in reality, because mind is part of reality and the experience of people and part of time, changing the mind changes the reality one is in and this can mean both the experience of a depressing idea or the way you see something.
Depending on how you see it, it represents something different, like how a mirror is your reflection but many have thought its a window to a backwards reality where everything is oriented the other way.
Pareidolia is in fact physical, our eyes cannot see the whole detail of reality we only know the detail we always observe about something, a new pareidolia of patterns shows a new physical detail of the whole reality we can see but only in the immediate details observed.
Because our minds cannot see the whole reality, the reality we can explore is what we actually perceive and what we did perceive forms the reality we have access to to begin with.
Most of my original physics and models of the physical world, used pareidolia to find the physics in reality and my more recent works then build things with it, that do not use the same physics as other things.
Further a reality as a word and state of something, is a man made concept, the equivalent for nature is an environment, nature doesn't know what a world is, it simply is the whole thing we have to describe in limited sections at a given time.
So when I go for a walk tomorrow, because it is late at night right now, I will simply look at the world in a way visual I have never viewed it with pareidolia and suddenly I will be uncertain if it had always been like that and with an added wandering of my usual streets.
In wandering I will loose track of where I am and suddenly find myself in a strange but familiar world, where the rules are not the same as I knew them in mind, but I presume would still not enjoy similar discomforts. The result, is new insight on physical reality, new ideas of the unknown I have never thought and a peculiar adventure of the uncanny.
Even looking at a tree I see often, I cannot tell if it was always shaped like that, i just noticed it today and will probably forget tomorrow. None the less, I saw a place that was not my usual habit and the experiences gained were strange.
The things pareidolia do, such as make trees into flowers can certainly do wonder, the form a whole reality of superposition of observation, what is not seen is not actually there or not like a Schrodinger's cat.
This concludes the part on doorways, the first part of the larger then human scale, below is an image drawn, which allows practice with pareidolia because it is very detailed. Details random is an efficient and rich source of potential pareis. Parei is a single state of position of pareidolia.
The next part of the world that the people of Folden and greater Earth and Aerth do is entries into worlds, they spend time studying worlds from inside their functions and Folden, while using mostly foldable material or wood and stone for larger things ( since sculpting it is like folding ) explore a diversity of reality within this limited and cheap resource base. They make physics and build devices with the physics.
Below is an image of the most common resources I use, which in complete list are mostly recycled packaging from food and craft supplies from the dollar store or large retailers.
The base of resources I selected, because I have no money for the luxuries of science and because they are relatively easily accessed and safe, allowing anyone who wants to try universe exploration a good place to start although any other skill one knows can help them, however the closer you get to scientific materials the more hazardous they become.
However electricity, while somewhat dangerous to use and unknown to me can be used, up until now my only requirement for it has been lighting as cheap LED's are useful for that purpose. Its a common misconception that technology and advanced tools require electricity and that all realities need batteries to do anything they do.
Electricity is popular for science because it allows powerful motion mechanics and was discovered far faster and with more interest then other methods of motion for reasons of mostly its original students being quite successful.
However before electricity, man kind used other methods of motion that while seemingly primitive to someone with a cellphone, is mostly a bias of their advancements and the possibility of a turbine powered cellphone is unknown, although the possibility with a battery for storing the wind you blow on it is likely plausible.
The difficulty of energy and motion with other parts of reality is that they are not as well known, or at least I am beginning to find may themselves provide actual potential methods in time. This is however a work in progress, but if successful would provide cheaper energy usage by decreasing necessity of only electricity.
Currently all motion in my inventions are powered by gravity and human interaction and this means some success at moving parts when used, but nothing like the mouse on a screen moving on its own by connection to its controller. I am unsure how to reach something like that without electricity at this time if I ever will.
However, the world of Folden and the other realities we will be reading and writing about, use what I have discovered and its technological capacity has computing but lacks screens and highly diverse motion. The entries of worlds by Folden are used to further understand the physical reality of pareidolia and what we will term mendala novelty to understand more powerful manipulation.
Examples of this will be shown in the final portion on physics, as we still have a few more supra-human physical scale sizes to describe, including sky space and flowverse. However, below is a picture of the subcomp computer, a variable selector and the dinger orb which it made.
The final two important parts of Folden's reality before physics and a deeper study of what pareidolia and the rest of the physics can do, is called Sky space and is a parallel reality's uncanny friend for and of outer space. As sky space allows a journeying spaceship in interstellar travel some viability in resource consumption by using the same object again differently or reinterpreting it as something else.
On earth, it means an unused object meeting the requirement of another's features can also be used as that other object, similar to how a bowl can be replaced with a cup if no bowls are available because they both feature the required properties seen to match the need required.
It allows reuse of previously made objects in new contexts and makes resource acquisition less common, it also features its named skyspace, which works similar to astrology because one looks at the sky and sees clouds in different shapes and styles and interpreting their meanings can allows an object to be reformed in mind for another purpose.
This allows both easier mendala novelty on those wandering walks of entry, because they inspire a sky for the world that reveals a new reality by the changing of the sky and these sky can be recorded or created by oneself to have a personal setting of objects and a reference as a drawing you can look at or hang in your house.
For example my previous project I stopped working on used this one:
The planets and the clouds are also connected to the physics, which in our coming discussion will also include the final scale portion, which is the flowverse supra geometry of the world
Above are three of these specialized paper geometries, which are used together because they increase the complexity of what is possible within a given lighting setting and further detail their effect. They look rather interesting and the added scribbled marker allows additional details for when I make a strange imagery from their pareidolia and gain a subject that is unlike norms of the status quo and is studied in this world.
Although the subject itself will only be briefly described and possibly explore some other time. Below is the appearance I saw in the pareidolia which is then interpreted for a strange subject matter unknown. It is drawn below and following the description we will describe deeper features of the scale itself and its components which allow more manipulation and utility of this realities laws of physicality.
Upon completion, I will show the people of the characters of this world who are my original cast from after my original story when I began exploring the multiverse beyond stories and then I will show the persomnia that rule the subjects of this world which will leave this post open ended and ready for potential future exploration later on.
These build up to geomets which are the overall structure pattern of a thing observed internal and forms a density of appearance with a micro geometry.
A curvature of space is made with a barrier of matter that curves the space itself to only occupy where the matter does not exist. You can see this by looking at the space around an object, the curvature of space also effects the navigation of the area, only some things fit within it others would need to be compressed or destroyed.
The doorway, the entry and the roofless hallways, they guide the scenery to new horizons that lead to new planes and new experience of worlds a little farther away.
I am uncertain if this meets the definition of science as their closest known example is a black hole and this curves light. My own assumption is immense mass of dark colorization inside the center, this is possibly due to a new directions of spacetime although that is unknown even to me but would need several more scale directions to trully understand.
The wormholes of another reality do not necessarily have to meet the definition of another, each reality we will discuss uses a different doorway method.
It doesn't mean they don't exist, the problem is that a person can only think of things they've seen and what is built of what they know and understand, we can't think up the way to the fictional portal in reality because the only place we've seen these magical portals without explanation is in fiction where they already exist and the equivalent if it exists materially has never been seen to be understood and controlled, thus we cannot know how to make one.
It may be hyper rare and or highly unnoticed in all our seen, or is what I've already shown as a matching function or a future of advancements of that same premise.
A portal is like a wormhole, but we cannot reach the other end in any other way, a book or the images of worlds drawn here are portals, because they depict another world that cannot be entered except with the entry to the reality whose exit cannot be found anywhere by other vehicle. We enter a painting by seeing it, we read a book to fall into its pages and we play a game from here to reach there instead of our current position.
The portal of books drips like paint of the canvas into the real world, readers inspired seek to live out its fiction and see the same adventure as their favorite heroes.
None the less, I am uncertain if my own experience with my own travels is related or divided from my bouts of psychosis due to initial inspirations for errors springing from debilitating eureka moments ( As i describe them ) that were psychosis that I reformed as functional.
Only one of these moments was stable and didn't lead to hospitalization, the rest did, viewed subjectively to myself, mostly from communicating the ideas when the ideas where still unclear. Behavior complaints, paranoia from error of interpreted effects of reality noted, that were later detached from delusion and used as stable sprays of manipulation.
Theirs a difference between an uncontrolled delusion springing from a chemical imbalance and what someone can discover and use from the actual mental functions activated that created the delusion as an effect of the actual reality of that function.
None the less, if the following exists as your state of mind. If you believe a person with psychosis at periods of his life must by definition forever be without possibility of truth in his words and can never again speak truth is how you feel. Then most politely feel free to depart from here.
Anyways, returning to the idea of video games. For any ones curiosity, In time I will finish a post regarding each psychosis and related and important details of my life that are mostly only related to why I think the way I do and how I view reality. This post is more personal introduction of myself, that discusses how all this actually began and came to be up until today and further shows how I was before and in progress of this journey.
I share this detailed story, firstly because it is all I remember about my life at the moment and because some of my old behaviors are unsavory and some aspects of my work have helped this and the work has saved me from a far more miserable life of mostly solitude that existed outside this project and progressing issues with boredom that would have lead to a very much unpleasant experience, instead of something I can at least live with while not what most would call the best life.
I like it though, cause its a happy and a sad story and those are the best stories.
Video games are primitive high detailed portals, they lack physical modelling beyond the characters and basic known reality parts needed. A real virtual portal would actually model more of the reality itself then solely video game mechanics and may even generate it alone. I may be making one at some time future at a simple level.
Gates are more dangerous but the most realistic doorway I have found, my current living situation is a gate because I live alone in a small room in a town alone with no one to know, only know the outside from the Internet and what I see if I look and the surroundings are thus isolationist and so changes appear without warning and context is lost.
A gate didn't see it, didn't hear it or speak it and ended up somewhere else they weren't expecting or even understood outside or inside, outer space, underwater, underground, countries, hermits and isolation leads to this strange space.
This has already been experienced by me, as I am familiar with more of what I do then most people are familiar with what is going on in what is already popular in the reality, because the known and commonly discussed by most I understand in their essential detail and not complexity.
Meaning I know how magic, science, art and philosophy work in basic detail of functions but not their whole complex and diversified nature.
I use the Internet to research anything I have not encountered or need to understand. A gate has been used before by people who do not want to know whats going on beyond them so they detach from the news and live in their present area only, this can be both unsafe and more relaxing by loosing outside context.
Since ending up in this situation I still have no idea what certain conflicts are actually about, but do think theirs never a need for conflict if one hasn't been created by some party with accidental intent
The reason it is called a gate, is because like a gate it forbids entry and so context of a situation is forbidden from entering the awareness without an attempt to know it. It has varied consequence and for myself and my exploration of the omniverse and its multiverses I find both optional and well suited for me.
However, this is a basic summary of doorways, doorways used by me include others different and also quite interesting, one discounted I use often as well is a book doorway because the narrative and physics are converged and reconstructed for myself to efficiently explore inside my room as my world ship of sufficient resources and geometry for pretty much any requirement I currently need.
Although I cannot produce my own light or use electricity or heat beyond the provided of the house or lights purchased at the store or my phone. Simply as a comfort and safety concern automatically considered for other tenets.
Yet this matters not, as electricity and heat are a bias of the scientific reality and its technology that my own curiosity is enjoying finding other forms beyond it, such as the previously shown television that while alien to earth science, although similar purpose. Further study is needed for motion however at this time but is not impossible. For example:
The dinger orb, is an extracted mental metaphysics, which came from my own. This is a small example of the story today, that is unlike yesterday. from r/DiscontinenceIt was made from a previous project with towers that had many such dinger objects, the original object is the orb drawn in the top room:
Dinger towers are imaginary towers that can be climbed after drawn and provide idea generation directed to a goal through objects within them that are meanings representing a certain subject generation. They are also able to built as the orb demonstrates and serve deeper functions. I may talk about them more some other time.
This is an example I posted on reddit on my subreddit about this subject, I am more easily reachable there as I don't check emails or often check the comments.
The object is a metaphysical imagined object that was not given properties only shape, which was extracted using a memetic subcomp computer ( a non electric reverse reality computer that is user processed but scripted ) and gained unexpectedly the capacity to move a surprising distance on its own. This is due to weighted contents and balance.
This was my best example of balance as a force, but is as far as I have accidentally succeeded.
Extractions are a doorway which rearranges matter to created an object from another reality inside actual reality as any invention and is the most advanced known doorway I can think of, it essentially rearranges the positions of matter to another time space and space time moment, resulting in an arrangement of another reality and the dinger orb is a good example.
The reason they work, is because reality is universal in its underlying function, what happened here is a chance event of the whole but the whole functions as a whole exactly the same, the exact circumstance for something must simply be recreated here to be accessed and the likely hoods of all probability natural vary but the human hand can manipulate these probabilities far more effectively.
A car built by chance alone without humans is very unlikely and would take forever to actually occur as each part would have to end up together correctly, but it could happen because cars exist, it's just an absurd potential event and would likely not be a polished Ferrari even then. It's chance as a reality somewhere in the whole scale of outer space, if actually infinite in size and contents is 100% guaranteed.
The Mendala novelty wormhole
None the less, the following doorway is a useful and very old discovery of mine that has been updated, I discussed it on my second blog but knew of it for half a year before then and uses pareidolia. Recently has been combined with the mendala effect, to produce a sense of uncanny reality that actually works quite well.
These are some doorways used by this world, that is familiar in its works both pareidolia and doorways to myself, they are the ones I know best and they are the ones I've used the longest although the coming example is the true original that I experienced when I was delusional the second time an wanted to go to another world.
The experience wasn't a delusion itself and taught me many of the ways to other worlds for a few years to come in one spontaneous storming out of my building in rage in the middle of a winter night with a grandiose desire to see other places.
It was among the first experiences of that psychosis that were in fact useful without real consequence if prepared, that was only dangerous at the time because I wasn't and I'm still surprised I wandered all the way back home while completely lost and knowing not how.
The portal has varied needed requirements to meet the entry required, but it actually leads to among the most realistic of experiences, although its most effective form is ill advised in larger cities or late at night and especially without a online map to guide you out of the lost zone.
What was unsafe about it was walking far from where I had ever been before, in a large city with crime in the dark hours of the day in a very cold Canadian winter night, angry and rambling and wandering around aimlessly until I didn't recognize anything at all on low battery and telling no one.
What I learned that night and what a more precautionary journey could still do, is a very novel experience I believe I can still do in my very small town I currently reside in. I never fully mentioned it before beyond one part because I used to think it only worked where I had never been before and this makes it less safe, but more recently I've noticed a similar method for commonly ventured areas.
I will tell a retelling of the experience without the madness and then explain how the people of Folden use this method and why it works and actually is another world, although its exact reasons are less fascinating then they might appear.
That night I walked through a dark city, far into the suburbs and wandered aimlessly past large buildings and places where I saw alien things I couldn't understand in my state of mind.
I saw vast and wide apartment buildings so wide I had never thought them possible to be, then I saw pillaring ones so thin they seemed outside the norms I had ever known, before entering a convenience store that was also full of used children toys littered about and bought a pack of smokes I would later find wasn't shaped the same as an identical brand.
Then I went to a restaurant an ordered a pop and strange asian soup can I had never heard of, investigated politely their strange curtained closet with bent curtain screen parts and looked at their floor with broken clocks before walking out before they served me, which must have seemed strange to the workers I had payed and saw the mirror with neon and glowing writing on it that had drawn me to the restaurant before. Presumably I must have looked like a stranger to normal life itself.
Later on, I saw a church with stain glass windows of Jesus but he had a black halo instead of a white one, interestingly knocking on the door and asking for someone I was looking for in my head, the women there thought I meant someone else and guided me a direction to go in that would inevitably help me find my way home from recognized scenery.
I later saw a massive building I thought was a school, with windows showing hand prints and a vast and strange park behind it that didn't look like a normal park for lunch break, turning the corner I saw a sign that read school for seniors and concluded this worlds education and living was backwards, people came alive old and became young till death.
I walked aimlessly on hills and felt as an animal in an unknown forest, then began to find my way back, by passing through a more distant campus of my university I had possibly already been to and inside I saw some gothic like students still there, who I presumed were the vampires who attended school at night while normal people slept and saw they left their bike wheels outside class instead of their cell phones.
Then I finally made it back and my friends and acquaintances at the building I lived were excited to see me as I had vanished mysteriously for hours and had come back and said I had seen weird things on my walk. They agreed that it sounded like a weird walk, I didn't tell them it was another world, later I would look at blue gum on the ground and say:
"The sky has fallen to the earth."
And they would laugh with me, for such an out of context sentence.
I was very loopy for most of the days I spent there, I would only become less unstable as time moved on after about 6 months, but I would never be the same, as I would often see dragons in the sky from pareidolia and this whole journey had been mostly pareidolia and ideas I concocted in a state of mind.
The only other experience worth mentioning, more clearly relevant to the other post on my madness was the splitting of the moon into four parts of two colors red and blue, any full moon when looked at the right way will split apart like this:
The three moons of prosporo, which in this blog are the three corners discussed in this and some coming posts on perception and more.
It's only important because its where much of all this began, beyond a few stories written and never finished and a philosophy uncanny to what others had all said was in a life that wasn't going anywhere at all and failing school. Just how it happened.
What happened however, is that I was in a new place but also in an old one where I looked at features of normal things and new things in position of eye and overall motion of glance in a new way, leading to a feild of view that had been focused by pareidolia in a new experience of the same common things and rich in details of those whole objects that were had yet ever been seen like that.
This paired with a narrative of ideas alien to normal thought based off the new experiences showed a visual and mental reality that was unlike the normal one I knew and the experience created a gate and a wormhole that lead to a new reality.
However the reader must wonder, is this actually a new reality or is this just a trick of the eye and mind, the answer is that your reality of experience mind and visual are formed by your daily life and habit of looking at something a specific way as pass by it everyday and your way of thinking about it is the same.
In changing how you see it and think it, you cross both into a parallel life of another like you somewhere in probability and you experience another world similar to your own that is not the same.
This is done by convergence of the moments in time, which is mostly my view that all time occupies an imaginary space as its full details of all time moments, whether it all exists in some real place or simply becomes real when it becomes possible, when its experienced it proves its possible and real and the crossing to it means only meeting the moment.
The world experienced, is bordered by your ability to remain within it, leaving any reality means simply changing something in reality, because mind is part of reality and the experience of people and part of time, changing the mind changes the reality one is in and this can mean both the experience of a depressing idea or the way you see something.
Depending on how you see it, it represents something different, like how a mirror is your reflection but many have thought its a window to a backwards reality where everything is oriented the other way.
Pareidolia is in fact physical, our eyes cannot see the whole detail of reality we only know the detail we always observe about something, a new pareidolia of patterns shows a new physical detail of the whole reality we can see but only in the immediate details observed.
Because our minds cannot see the whole reality, the reality we can explore is what we actually perceive and what we did perceive forms the reality we have access to to begin with.
Most of my original physics and models of the physical world, used pareidolia to find the physics in reality and my more recent works then build things with it, that do not use the same physics as other things.
Further a reality as a word and state of something, is a man made concept, the equivalent for nature is an environment, nature doesn't know what a world is, it simply is the whole thing we have to describe in limited sections at a given time.
So when I go for a walk tomorrow, because it is late at night right now, I will simply look at the world in a way visual I have never viewed it with pareidolia and suddenly I will be uncertain if it had always been like that and with an added wandering of my usual streets.
In wandering I will loose track of where I am and suddenly find myself in a strange but familiar world, where the rules are not the same as I knew them in mind, but I presume would still not enjoy similar discomforts. The result, is new insight on physical reality, new ideas of the unknown I have never thought and a peculiar adventure of the uncanny.
Even looking at a tree I see often, I cannot tell if it was always shaped like that, i just noticed it today and will probably forget tomorrow. None the less, I saw a place that was not my usual habit and the experiences gained were strange.
The things pareidolia do, such as make trees into flowers can certainly do wonder, the form a whole reality of superposition of observation, what is not seen is not actually there or not like a Schrodinger's cat.
This concludes the part on doorways, the first part of the larger then human scale, below is an image drawn, which allows practice with pareidolia because it is very detailed. Details random is an efficient and rich source of potential pareis. Parei is a single state of position of pareidolia.
Look at the image, look for recognizable shapes inside the uncertain details, using points and folds of propriety and the like of pareidolia. I saw an ostrich directly above.
The image is a pareidolic screen, a screen of random shapes which produces visual pareidolia when sought within it, meaning look for anything in the image and you might find it there if you look properly.
Pareidolia, is the pattern recognition part of the brain, one can see anything they already know in anything that looks similar to it and can actually do so by will alone if they know this. Obviously, certain parts of the image are more effective for certain visuals.
Advise on faces with pareidolia
Advise on faces with pareidolia
Because pareidolia represents pattern recognition, we can see faces in objects, their is no way to know if these faces are real entities, these faces however are anywhere and the discomfort it might create if one fears they are alive is redeemed simply by the fact that they haven't done anything to stop you beyond fall on you for not being put in the right place.
Surely if something doesn't want to do something it would not do it and this is only under the assumption of mind that they actually are alive.
I can't tell, the possibility of actually knowing this outside your own awareness is impossible like René Descart once said about himself and those around him. The usefulness of this world of faces is especially useful for myself when I feel like fighting monsters or meeting some kind of entity. I will discuss monsters some other time.
Further, if they were real, some are actual hazards and any sad and uncomfortable inanimate objects are depressed or need fixing and the healthy ones are probably fine with the existence they know, like humans. Theirs no way to tell, they might not even perceive us at all, their perception could be pointed at another reality or they might not be alive as well.
I only mention this cause when I found it on my own I was horrified and stared grass reeds for an hour trying to figure out what to do if everything was alive. The answer originally was the same one the primitive tribes had ( respect ) but later worlds of time simply said they weren't alive ( monothiesm for example ).
It only matters if you scare yourself with it, but theirs no way to tell and it makes a great nightmare world if one needs one for an adventure and has no human consequence beyond when a cave collapses and they eat you. So its fair for the most part in any selection of belief.
Selecting beliefs is how the multiverse is traveled, most things need to be believed possible to be attained and must be in mind to be used at a given time, they can easily be disregarded for any other option and most of my travels are built of my wants and interests of the moment.
I used to go with everything, but thinking of it all takes too long.
This is Drumstick, Drumstick represents the fact that I discuss on this blog and use both positive and negative ideas and enjoy both and their luxuries at will and have issues and desires to help other. Drumstick is a subeast, my pet animals that are combined with unknowable entities of great animalistic power.
Sometimes I enjoy positive heroic adventures in book portals and at other times I have written violent mostly non adventure stories worse then just horror.
Because it has no real consequence beyond my own minds experience and offending someone who thinks its equal ( and not better ) then the real thing.
He is named after a stuffed animal whale I had as a kid, who was pink and I still have him in some box somewhere. He looks like a drumstick. Subeasts come from a childhood paper and pen game I invented as a kid.
I let someone who was playing the game organize it on a camping trip, when I came back they couldn't play anymore because they decided to steal from eachother and ruined all their papers. I later said I would make a sequel, Subeasts are that sequel over ten years later.
Part 2
The rescources I use, the Skyline scale and previous travels.
The next part of the world that the people of Folden and greater Earth and Aerth do is entries into worlds, they spend time studying worlds from inside their functions and Folden, while using mostly foldable material or wood and stone for larger things ( since sculpting it is like folding ) explore a diversity of reality within this limited and cheap resource base. They make physics and build devices with the physics.
Below is an image of the most common resources I use, which in complete list are mostly recycled packaging from food and craft supplies from the dollar store or large retailers.
The central object, represents an object that can store all the resources at once and the whole list shows a variety of combined resources for building objects.
Because the full list here allows most geometry, solids of colored paper and durable cardboard, plastic and cellophane transparency and unmentioned reflective wrappers and tinfoil, with additional lights and pipecleaners, the set allows most necessities of material construction.
What it lacks is heat viability ( fire hazard ) and electrical possibility ( also fire hazard ), it allows thus far what I need for a basic object I have managed to imagine, although some of my current inventions I find interesting but not very deep and am seeking deeper things on this blog.
However electricity, while somewhat dangerous to use and unknown to me can be used, up until now my only requirement for it has been lighting as cheap LED's are useful for that purpose. Its a common misconception that technology and advanced tools require electricity and that all realities need batteries to do anything they do.
Electricity is popular for science because it allows powerful motion mechanics and was discovered far faster and with more interest then other methods of motion for reasons of mostly its original students being quite successful.
However before electricity, man kind used other methods of motion that while seemingly primitive to someone with a cellphone, is mostly a bias of their advancements and the possibility of a turbine powered cellphone is unknown, although the possibility with a battery for storing the wind you blow on it is likely plausible.
The difficulty of energy and motion with other parts of reality is that they are not as well known, or at least I am beginning to find may themselves provide actual potential methods in time. This is however a work in progress, but if successful would provide cheaper energy usage by decreasing necessity of only electricity.
Currently all motion in my inventions are powered by gravity and human interaction and this means some success at moving parts when used, but nothing like the mouse on a screen moving on its own by connection to its controller. I am unsure how to reach something like that without electricity at this time if I ever will.
However, the world of Folden and the other realities we will be reading and writing about, use what I have discovered and its technological capacity has computing but lacks screens and highly diverse motion. The entries of worlds by Folden are used to further understand the physical reality of pareidolia and what we will term mendala novelty to understand more powerful manipulation.
Examples of this will be shown in the final portion on physics, as we still have a few more supra-human physical scale sizes to describe, including sky space and flowverse. However, below is a picture of the subcomp computer, a variable selector and the dinger orb which it made.
The actual computer is only the writing on the container and additional papers inside, it represents a lengthy equation that on the first try took a day. Following the steps creates a lengthy process of variable selection that includes the pipe cleaner pointer.
These variables are chosen by the code and user input, to design the properties of the given dinger metaphysical object and the result is complex to build and a puzzle but its finished product always has unknown behaviors until finished.
is like a computer for using mathematics and a code, but the code is processed by the user person instead of a machine. Other possibilities outside this exist with subcomps, one of three forms of computing I have currently in mind.
The final two important parts of Folden's reality before physics and a deeper study of what pareidolia and the rest of the physics can do, is called Sky space and is a parallel reality's uncanny friend for and of outer space. As sky space allows a journeying spaceship in interstellar travel some viability in resource consumption by using the same object again differently or reinterpreting it as something else.
On earth, it means an unused object meeting the requirement of another's features can also be used as that other object, similar to how a bowl can be replaced with a cup if no bowls are available because they both feature the required properties seen to match the need required.
It allows reuse of previously made objects in new contexts and makes resource acquisition less common, it also features its named skyspace, which works similar to astrology because one looks at the sky and sees clouds in different shapes and styles and interpreting their meanings can allows an object to be reformed in mind for another purpose.
This allows both easier mendala novelty on those wandering walks of entry, because they inspire a sky for the world that reveals a new reality by the changing of the sky and these sky can be recorded or created by oneself to have a personal setting of objects and a reference as a drawing you can look at or hang in your house.
For example my previous project I stopped working on used this one:
Each shape and cloud color had a meaning that represented something, they weren't used much however.
By the time I reached the world it was used in I felt I needed to make this blog instead because I had written for 4 months straight and hardly shared anything.
he story I was writing had been estimated to take a year more to write and was already two weeks behind schedule. So I decided to reuse themes from the story and work done, advance them and post them on a blog so others didn't have to wait.
I was also getting bored of the story ( it was not very fascinating ) and I kept going back to the physics and invention for more, rather then tell the rather strange story I generated and didn't really make up. I didn't ever really like the story, its bad guys at the start were these:
These are Giramen, they are mutated long necked people that kidnap normal people and dance pointlessly, they are controlled by a bee and monster named Learnee. He represents pointlessness and evil unknowable abominations that wanted mankind and dog deman kind to loose their species and become alien beings brought Learnee and other monsters to the world.
I started writing the project and made it really bizarre and outside my usual way of doing things and after a while it was getting so strange but wasn't interesting and I was worried I'd forget who I was. So I made this post and blog and reminded myself of older days when I just used pareidolia.
Some of this stuff will be reused but in a shorter and simpler format. Here is the only Unknowable abomination I ended up drawing during the story, as a foreshadow for later:
I won't tell you what it represents yet, when I drew it I then cowered in bed and rambled about why it didn't mean I would loose my species and become an alien for a whole day.
This was after I smelt rotten hermit crab meat while drawing. I had a pet hermit crab that died and it smelt like it, my horoscope is cancer and I thought I'd make a crab like evil entity for one of the villains of the story I was writing.
"Deep breath"
Anyways, the sky is used for reusing and reviewing reality in a new way and allows an exploration of the same thing that meets a different context, this random invention originally was only used for its reflections and had no real purpose beyond being strangely shaped and allowing reflections to study. Then it gained a complex set of stored papers for a very unique magical reality of chance manipulation that also used the reflection subject I was doing then:
We won't get into this now, it belongs in another one of the worlds we will be exploring.
The sky, has a day and night, we've seen the day of clouds and this world also studies the night sky, it studies it by studying the planets similar to science in that I would look at pictures they take and view pareidolia on the surfaces of these worlds and earth, then I would use matching colors to the planets and build a planetary section of the Folden reality, that represents that planet.
It's not on mars, it is a ploric ( qualia texture pallet of material ) that has been shifted to be apparent on earth from the plor of the planets ( their appearances ) and represents another outer space reached through matched appearances and likeness on earth. A natural example is the grand canyon because its orange and has similar like features to mars.
This is new, for example a quick doodle of a part of Folden that would be from Mars would look like this, at least when drawn in light detail.
This is model reconstruction of aliens in ploric reality, which depicts their martian home, their are two aliens in the picture, a male and a female equivalent gender set, their babies and technology are also present, they are unknown in identity however.
No one can tell what is what in this image, anything could be anything as they are not of earth, humans usually expect that they behave like us, but they may have a different way entirely. Or at least that's what I thought while drawing this.
The mars plor, does not represent the planet in scientific terms, instead it represents the whole world of that substance ( the planets ) appearances and were drawn from pareidolia I saw on the surface of the planet viewed from space. The aliens within and the surface are from the same image as inspiration.
Anywhere where the appearance is found could represent the location of these aliens, it does not have to be on the literal planet that is mars, only what shares its features and appearance somewhere in the anywhere.
Science in disconnect and connect to this physical study.
Science in disconnect and connect to this physical study.
The usage of some vague science pieces by myself in exploration is older and less used these days, within my multiverse exploration it has a two fold reason, firstly science is evidently a real reality that can be explored and is far vast compared to me at this time in actual knowledge of matter.
Using science doesn't mean I'm right about science, so I use my own parallel worlds more often instead these days. I do use my own create parallel science, that is mostly the scientific method and only this as part of some recent explorations.
I use science to know things I can't test myself about physical reality. It makes it easy to not test them because they already did, and I know the answer to my question only because my question is answered by the Internet search I make. It's wiser to leave it less blended with this, because worlds don't all know as deep of a detail about physicality as science already does.
I presume that if I don't get a scientific website with the answer to a question I have on nature, the question has never been asked before and then I try to test it like science would by performing an experiment, but without a theory on what it will do and simply observe the result.
I do not use a theory with pareidolia, because my own interests in matter here are more practical and thus I don't view the truth of pareidolia as what the idea behind a model is, but rather what the test actually did as a experiment and repeatable process and simply use what it did exactly as it behaved and was caused.
This makes no deeper truth of unseen reality and only allows me access to what is seen and perceivable, rendering invisible properties of nature very unsafe for my practises. More information on my method of physical knowledge acquisition later.
I used to think pareidolia physics and this method were science but I later discovered they are most certainly not the same although similar.
Science makes a hypothesis of what they can't see about nature and if the hypothesis predicts the behavior that is seen accurately and repeatedly under tests, then it allows a more diverse accuracy to the material or property ( presuming I actually understand this time ). It is also more complex and I might be wrong about this basic premise of the scientific method.
My method is different, it observes a property of nature and it uses it as it is observed and exactly as it is created, while any failure to create the effect desired means it was not properly put in place and the discovered new effect that was a failure to create the desired effect is recalled by myself to be used in another situation.
So it tries and fails to do what it thinks can be done with something until it manages to do something with what it needed that allows what was intended. Unlike science, this method is quite frustrating at times and yet kind of fun for being like a puzzle, usually I think it will work, then it doesn't so I lay there and think of how to do it with result I got instead and it ends up working out.
The dinger orb, was intensely difficult, it was going to be made out of plastic bottles, but they didn't retain a nice shape and it was ugly, so I took its contents out as I gave up and wanted to do something else, so I made a cylinder and taped another piece of paper to the bottom as I wanted to make a glowing lamp.
I took the remains of the failed experiment and put it in the cylinder and put another paper on top. Then I rotated the taped top and bottom while compressing it and it made that shape. I realized it fit the definition I had described in every way, I added final exterior defined features I hadn't expected I'd be giving it ( green paper and markings ).
Then I put it on a lamp to see it glow, but it jumped of my table unexpectedly and without initial push beyond its placing on a balanced side. I had discovered accidentally a better way to move something on its own I still don't quite understand. This was not planned or expected, but it fit the definition of properties I had calculated the whole day.
This thought that my method was science is why this world built from far earlier works and study of the omniverse ( once thought of as a multiverse ) have linguistic similarities to science. Like everyone on the planet, our knowledge of physical reality sprung from scientific education and ones own self research on the Internet.
However these similar words should only be viewed in their most basic definitions because they do not have the same context here in my own growing understanding of what I tend to view as a parallel subset of realities from science.
It's up to science if it can even call this science, because pareidolia is not the same initial philosophical source of truth as that of science, the atom was not discovered by changing the appearance of lamps to mushrooms.
This distinction of definition and philosophy is at the core of a reality and its deviation from another, it would change the base definition of actual science, to something excessively more broad and would be forced to add occult magic to its list of science.
Just saying, its up to science itself and has nothing to do with me, i just think Science should be conserved as it is and progressed as it has been at the end of its current knowledge grown and clearly successful.
My own study, shows the potential for parallels and brings hope to the people who think they are doing science, but are actually doing something else no one knows yet.
So, Pareidolia planets, are different from Scientific planets in outer space as we do not fly to them we build them from their knowledge in the sky. Many of my own outer space travels, are distinct because I do them on the planet instead of a spaceship, my ideas for spaceships still assume Science would be better at using it then me.
Rambles of my ignorance present and past.
I know nothing of outer space, I lost my telescope from childhood at some point unknown, but I can still get my microscope. I used it three times, once to see a lunar eclipse and once saw Jupiter and four moons on a comping trip with someone else's telescope that was better then mine. That and the word nebula and quasar are about the full of what I know of it.
I am also bad at math with numbers because I can't remember multiplications so I use my invented memetic math that cannot provide measurements and is better for modelling equations that I plan to better use with numbers and a calculator.
This is simply showing my credentials worth nothing to science, since before starting this multiverse thing.
I was studying English at a university and failing after passing high school as average, because I thought I wanted to write books ( The stories I wrote were mostly sheer violence with little plot ) and teach English (my stories would definitely have not been for the students, I don't know what I was thinking).
My other skill is drawing pictures and more recently inventing objects in a parallel reality I am learning to use. I'm not an artist, I only draw these days for scenery experiences and depicting story and models and examples for the multiverse.
My final piece of artwork I ever made is this, after completing it I went crazy and set out to explore the multiverse, literally five minutes after I put it on the wall in my dorm room at university.
This was when I was a atheistic new age singularity virtual reality philosopher obliviously time traveling to his imagined future and bringing it back to this time period, by locating proof it was possible in what could already be observed in reality.
I thought the best way to help hunger and starvation was to invent robots to collect and farm a nutritious and cheap food product that someone could live off of if they had to and provide it for free, while other costly food was a luxury as an incentive for self producing wealth or working. If they could make money.
For example I said advanced virtual reality was possible because of dreaming and nanotechnology could exist because cells and bacteria existed. I thought climate change could be solved by collecting the emissions and using the carbon for carbon fibers, because balloons or filters already existed.
At the time, I thought nature was an oblivious mother nature who birthed a proto-divine beings called humanity, that would reincarnate naturally through their own body as matter which could not be created or destroyed and over lifetimes advance into a progressively better society of technology and power.
I thought this would continue until they became true gods and could recreate reality to restart the history if they were bored or create new realities beyond our limited world we had.
To me back then God or the light father was the future and Gaia or the dark mother was the past. They were both equal in creative ability, but the dark mother was more carnal and the light father was more rational.
Their child was represented by the hermaphrodite named hypocretes and represented their growing child who would grow up to become the future and have their own children of the Gods.
I came up with this simple religion/philosophy after I went crazy the first time and it was especially focused on a wall, which represented what we did not know to reach the future I had imagined and that I wanted to cross to unlimited my own situation.
At the time I believed someone or several would one day do this and I would simply have to wait for the next 3000 years. But I got tired of waiting and I was done setting up the spirituality to inspire the future and decided then and after a spontaneous assumption, to do it myself for what I recall as no real reason whatsoever.
Most of the future I imagined is possible today in my parallel reality, its just nothing like i had imagined 3 years ago. So these days I am imagining a new future better and further away cause that was really, really fast. Lots of the details involving spiritual matters and the like, I no longer agree. This had been my hopes and dreams to explore worlds before they actually happened.
The part of the whole thing I find most distasteful about that period was my strange belief that religious people should abandon their beliefs and become scientific and rational without a "imaginary" God so they could also reach the paradise they had been promised by their prophets and faster, as they would not be waiting in denial of the truth.
I don't agree with that at all anymore, go believe in God and pray to him and let him teach you many things like he did after I went crazy after the above drawing and decided to be more open minded.
My issues with right and wrong ways of thinking did not stop there however, I went the exact opposite direction after that before giving up and being okay with any idea I encounter unless your mean or want to kill me.
This solved most issues of what actually mattered about an opinion in my head at the time. Anyone can think what they want to me, I just don't like rude people and violent ones as both of those things have alternatives available in society.
Currently something like an atheist theist who can't currently figure out how to continue what began at the beginning of this story with that subject, as I can't teach another's way to him. I can only know my own ( mine can't be known ).
I still don't understand how to do this beyond knowing others around me not myself and anything in that regard seems a touchy subject and I don't always want to bother someone or feel that everyone actually has to believe in divinity and God.
I was an atheist for years, I don't see myself as either of those words, because I call myself initially Ignostic as my own coined term and that's another topic. It's about not knowing what it is and trying to know what I want to know and can know beyond my ignorance and superior capacity.
My pursuit would be to know better that he does and doesn't exist for those who do and don't want to believe in him. It has nothing to do with the light father, all three listed beings are a persomnia.
Persomnia's are personification of reality and a individual actor in my mind I create to represent a real being composed of the behaviors of that subject or representation I can and can't know. They used to be simpler as an idea when I was 16.
This real being I cannot actually know, who is far greater then my knowledge and personification and is still not the thing I would call GOD.
Not sure why I went into so much detail, this is my first post and I've never been so outwardly clear about my position on my blogs before, because I was either crazy or in too much of a hurry due to other issues with me.
So I might as well introduce myself and mostly say I'm very open minded but inherently strict to exactly what some view says is their view and cannot change it, although I usually like knowing why its okay or not okay for something in tangible way.
So with any rule of all religions I've heard of, I ponder on the real reasons for why they are not supposed to be done and decide if I actually can live with the immediate consequence.
For example, I will never have kids or a mother for those kids, less likelihood of romance, more risk of judgment and distaste and probably more for being Gay.
I didn't want kids cause I have issues, I didn't want romance, I'm not flamboyant, probably won't tell you in person if you don't like gays and you'd think I'm just too timid and I still like girls, guys are just better.
I'll tell you on here, cause you might not want to listen to a gay guy, I also think certain places should lack signs of affection in general so that people who don't want to see it don't have to and other places where its fine, but that's just my opinion.
My weird opinions you've never heard of are carefully selected opinions I have never heard around me that I tried to make as solutions with better comfort of either side of a debate. No one cares from what I can tell, that's fine I guess. I will just live here.
Conclusion of second part.
The planets and the clouds are also connected to the physics, which in our coming discussion will also include the final scale portion, which is the flowverse supra geometry of the world
This symbol forms its cosmological reality and is composed of a symbol that is likely reminiscent to the reader and originates from my distant period where I must admit I had grandiose illusions of what I was.
The relevance of its reuse is the physics that went with it I have not explored in a long time. I keep my previous blogs from older days when I wrote more of my work in notebooks and less online because they are the only other copies outside the copies in the documents and represent a quickly accessible history of how I was before and after.
I progressively become more able to use what I am studying and less delusional over the course of the consecutive blogs, the first one is mostly me freaking out about my fears of hell and beliefs it is imminent from an entity I was imagining and calms slowly.
It is still partially existing in the second where I believe debate is bad yet constantly debated with people on the Internet about why it was bad and then got over that because its not accurate to what actually causes conflict, only inhibits a solution.
The reason for the grandiosity is firstly the original insight rendering "drunken stupor" and the inability to control effects the same insight provided adequately. Whatever you make of it is up to you.
Since those original blogs the following one is minutes before the third madness and then after this its no longer a problem, but the state of organization and my constant newly created blogs leads to a mess but each blog technically represents another world of its own. The final blog before this one will be discussed in the why I am sometimes delusional post, but is drug related. However it shows the most successful capacity to remain organized and inside the same topic.
So hopefully this already far more clearer blog, after 4 months of the same reality as practice ( instead of 3 days at best ) will prove superior to an out of context and blaring self proclaimed "I don't know what I'm doing" as a theme will prove successful.
Mostly because I barely knew what I was doing early on and after struggled finding a way to explain what I had started to figure out, it improved significantly once trolls on the Internet ran out of reasons for why I was crazy and just stated I was for no reason.
I believed all their criticisms to improve the work effectively and quite successfully. I even told them I was listening to how wrong I was and applied my inaccuracy into the knowledge base I was growing on the multiverse.
This theory of criticism and its capacity to teach improvement I learned from my loving mother who critiqued my art to help me get better. Below are the notebooks I wrote in for large periods of the last 2 years or so.
They are not all full, some are almost full as I got a new notebook and started in that one when my memory forgot the other one wasn't full. I bought the notebook cause it was almost full. Behind it were objects and thing I made at the time recent of taking this picture.
I find the objects ( a recent part worked on ) to be less then interesting compared to a large about of words and ideas that currently don't mean much beyond words and are too many to fully use, but that I will explore, improve and already doing with this post.
Some basic details of what are in these notebooks are in both 2000+ page documents, a few pages I copied or improved on the computer after writing down the original idea. Most of it, is just in these. Their is also a square meter sized pile of paper in boxes also related.
Its rather overwhelming as an amount to share so likely won't be done any time soon and I don't remember what I wrote down in them at all from too much to remember, unless I open the books and look at the pages I can still decipher presuming I left good notes. The rest I interpret in the moment as something new.
Part 3
We shall now move on to the physics of Folden and learn how pareidolia is used as a creative source of physical descriptions of reality that can be built and manipulated in diverse ways and what an example entry looks like, followed by connections to the previously shown scales and the flowverse as higher geometry.
Folden's Physics of pareidolia
The immediate experience of the physics and scale of physicality we have currently described is one example of a physical cosmology that represents what we can model as physical properties of the manipulable reality. It behaves a certain way inside our perception and is a tool of what is within it and how it can work in one or another use of the physical to create technologies that allow the immediate experience of objects we can use.
Below is what has been shown and discussed about this scale of this specific world in the Luna corner of the cluster, it represents all that we have previously discussed in simple icons that represent the overall.
The terms used prior for each part are below them and this is for a concluding list that will be further studied in details after an example of an entry, which will study reality through pareidolia and models created with it to build another technology of the reality.
Below is what has been shown and discussed about this scale of this specific world in the Luna corner of the cluster, it represents all that we have previously discussed in simple icons that represent the overall.
The terms used prior for each part are below them and this is for a concluding list that will be further studied in details after an example of an entry, which will study reality through pareidolia and models created with it to build another technology of the reality.
This scale begins with level -3 and ends at 4 but these are just equalized measurements for a model that was created for the reality and represents levels of the physical depth from smallest to largest detail of reality studied.
The experience scale of these exact parts are not equivalent to the obscure scales of the atom, hyper positions represent a small scale of what we say something is and its states it can also be with that initial state of being.
This means the smallest size of this physics level is the size of its scale is the point of focus one has on the object when using one of its hyper states of self and other. The largest is larger then we can perceive and represents an entering and exiting reality that is in orbit at different times.
The rest are smaller and inside the range of what we see smaller then what is larger then our experienced field of view and larger then the focus of a single setting of pareidolia. Thus it is a tiny detail in what you can see all the way to outside what you can see. Thus larger then the atom.
First thing we do, is describe the physics of pareidolia for our entry, an entry is a physics exploration which uses geometry and behaviors we describe initially as we imagine them and create them then draw. These shapes and behaviors imagined are then sought in actual reality and nature and attempted to be used with our resources as actual substances for a given invention.
These physics represent a model of reality as we can see it and is sometimes inside the whole shape of something, the property is the function of the shape and both must be matched by our pareidolia in reality to then use them.
After I show you an example pareidolia physics, I will use it in an object and the image of this physics will show both the model and an example object that harbors the physics. These properties of nature will then be manipulated and used by me and the celestial tables meanings and ideas as a goal, to create some device using these physics and will achieve a specific purpose the meanings inspire.
It is actually quite simple to do, although some practice may be needed to judge what can and cannot be done with this physicality as easily.
This is best learned and grasped through trial and error of accessibility to the physical properties until you are able to recognize what can be done with your resources but isn't used by yourself at all. Paper can be folded for example, but it cannot transfer heat safely so it can only be warm as insulation.
Below are my physics of pareidolia created:
These physical properties and shapes of pareidolia are not identical in the example found in everyday life within basic appearances between the model created and what is shared in usual encounter, but the physics we described which are on the left use the same property as those on the right.
The final may seem strange, but shadow and pareidolia work well together, the shape is irrelevant, the color in our scales listed is more important.
The resulting physics are methods for semi lifting a full shape with smaller shapes on it, which can be at any size, a shape that can only remain still on certain balances it allows and the previously mentioned colored light and shadow one can create for experiences of pareidolia.
The result, is then passed through a meaning as a goal for the manipulation of these physics and the result is to be built and directed for the use of sharp brittle discovery and will mean the object allows specific possibility of pareidolia and experience based on where it is placed and its capacity to remain in that position there.
It is limited by the light needed for its use, so can only be used in contexts with useful light and the capacity to sit there in a useful way in that location, with certain orientations more rare then others. It allows discovery of a space of reality that it measures by these projected shapes of light and shadow, which is drawn after viewing and reveals an alien subject and experience that can be studied.
I have actually built one for real and it is photographed below, after I have drawn the alien imagery it depicts in my interpretation and made a short explanation of what it is about. The object used white paper and different colored cellophane.
Above are three of these specialized paper geometries, which are used together because they increase the complexity of what is possible within a given lighting setting and further detail their effect. They look rather interesting and the added scribbled marker allows additional details for when I make a strange imagery from their pareidolia and gain a subject that is unlike norms of the status quo and is studied in this world.
Although the subject itself will only be briefly described and possibly explore some other time. Below is the appearance I saw in the pareidolia which is then interpreted for a strange subject matter unknown. It is drawn below and following the description we will describe deeper features of the scale itself and its components which allow more manipulation and utility of this realities laws of physicality.
Upon completion, I will show the people of the characters of this world who are my original cast from after my original story when I began exploring the multiverse beyond stories and then I will show the persomnia that rule the subjects of this world which will leave this post open ended and ready for potential future exploration later on.
These depictions of our devices, are similar in possibility to previously shown plor planetary depictions and show a world and alien reality that is more distant from the ones more easily accessed within this world of pareidolia tech and exploration of similar and unlike realities of sky day and night, mendala novelty and various doorways and entries into the omniverse.
These realities and their technologies are built as equivalent forms within the resources we can access, they may not always match the appearance encountered but other methods to the same function exist and are available to the pareidolia reality that is quite successful at recreating patterns it sees and use them in the same ways as seen.
This image inspired the discovery of a subject called Emote Iconography, which is the capacity for a icon of information to be spawned with pareidolia inside a given surroundings at will and communicated to others by first saying emote then the basic details. It is then located in their own perception by themselves.
The emotes are specialized information views which represent instantly certain bits of information anywhere at any time and future work hopes to use them as part of this worlds personal form of computing beyond my previously known forms. These computing forms will inevitably all be compiled into a single system of computation still in progress.
The next portion, will discuss some more compound portions of the scale physics previously described and whose image is shown again below, these compound portions describe smaller portions of each part of the scale, which represent the deeper details of each scaled part of this reality.
The properties of each part are modifiable variables one can use to construct devices and a few example inventions will be shown with the explanations of each portions lower parts and the eventual description of the largest part of reality of Folden that is the Flowverse.
Each portion will be drawn within a separate image which contains additional details and models of the above concepts to describe a more complexioned method of manipulating them. Greater then what is already known and having been discussed with exclusion to the somewhat already complex flowverse size.
These physics we describe begin with the smallest and will be linked in affection with each progressive scale so the created physics is deep and describes many potential forms of manipulation.
Below is the physics of hyper positions as the basics of our reality and how it is manipulated in specific ways to allow diverse possibility. Once again, it represents an object that has a single state of viewed use but has in itself multiple additional positions of view that distinguish its states as that single object.
Essentially, we build a pareidolia rich object, then we select a point on it for observation and recognize its given purpose and function yet at our own discretion add an additional and switchable position of observation to the stable pareidolia and property that fits with the objects shape.
Meaning as the example above, which is always a paperstone and can be given an additional position as a bird or shell that exists at the same time as the paperstone and this position additional can be swapped at any time needed.
It means the object is always a paperstone and as desired also anything else possible.
This example object could be used as a still object, which becomes sculpted as an animal of flight, foul or sea at ones discretion and allows the paperstone to still be itself as well.
Thus the hyper position works well as a switchable substance within the same ingredient that can be used as an asset for something else in three contexts that vary but all need a paperstone. Although why one would need this exact thing would likely only be for some kind of prop reused in three places of work.
Superposition are similar but have a different use and function of manipulation and are larger then hyper positions which are one point instead of a superposition multiple possible points and highly diverse variation possibility for the single used object.
They are both connected by the capacity to select a superposition then create a hyperposition and view a multi state object in that focus, from one of many possible points above.
A depiction of its properties are below:
The superposition of an object are random focus points and folds which we interpret or relocate within the experience of pareidolia which displays one of its physical properties and geometry details. The position and links of both exterior objects and interior points and folds represent the pareidolia modifications immediate to the form and represent the basic details which we can modify beyond the next scale.
We can use this to viewing a pareidolic animation by switching points viewed and seeing the appearance change and so creating a resulting behavior inside the same object, the position it is used external and its viewed relevance also provides a method of modifying it and other things in context.
This is called still motion and is motion experienced but viewed as still symbols of the motion and is a useful property for Folden's powers and work.
Next is a more interesting and animated part of the scale which also features more direct connections to what these paper objects do and are used for. These among features of shaping and interaction greater. Thus the image below describes polarity of bonds in larger detail and how they can be used.
It is connected to superposition because the superposition are the source of interactions with larger parts of this scale, through which the bonds of polarity function and behave and allow a distinct set of potential behaviors that can be explored and further understood.
This depicted image shows the three forms of bond that are apart, merged and touching and represent the three types of connection and interaction two created paper technologies can have together,.
Further their is a shown steps of meaning, goal and point for forming the idea for an object created, which allows the object to be invented far easier. The objects this scale creates follow this pattern and are used as they describe, they tend to be symbolic shapes which represent something tangible or intangible and often feature on them art and symbols that represent those things and can be used for those perposes.
Many of the objects of this reality are symbolic and artistic by design, they use the experience we observe within and without and represent them in a manner that allows them to be formed in reality as artistic like props of their own functions.
These lesser objects are beautiful and intricate at times and serve the useage of the worlds more complex things, through the connection of their discovered relevance elsewhere and their special representation as an ingredient of manipulation which allows the world to manipulate the less tangible ideas of existence.
They are connected very importantly to color, which forms the notations of dinger objects as objects that are imaginary and exist behind the actually seen and are interacted with through an interface.
These objects represent extensions into the unseen and are represented by color and symbol and as color is the key for a meaning in Folden are linked to the previous lesser objects.
The physics of dingers and colors are simple, the dinger is depicted by a symbol of what is beyond the object and imaginary, the connection and contact for activating the object is a specific additional colored paper shape that is found on the same object and an effect is used that can be anything one can think that the object produces.
In our example the effect is an appearing light seen when activated, sought with paradolia and mendala novelty, the links in purple are special wiring that connect this property to other properties of color on other objects allowing merged interactions between one object and another.
The next scale is the doorway scale and so is larger then any object, but connected to the same smaller scale by the previous object, as colors in this scale allow the explorer to view exterior dingers in doorways both drawn as larger representations for reference and farther when outside on a walk can allow additional features to the seen reality.
They also allow interpreting colors of uncanny scenery for additional insight on the new world being observed. These features are due to the previous shown scale and the next image discuss the functions and properties of the doorway scale in both drawings and mendala novelty encounters.
The two sides of doorways most used outside the entryways, are the portal of drawings called paintings and the wormhole of mendala novelty that we have previously discussed, some smaller updates have been added.
The plor appearences of any qualia, reveal an environment alien that reveals an alien world unlike what we most often experience and shows a world distant where things are not the same.
This can be used with or without the reflections and light and shadow we see, to see in different manners created other distorted landscapes of reality unlike the one we know similar to our entryway object built before this physics.
These are both helped in power, by the human hands own additions springing from psychological taste and connection in influences to the world seen that tune it to perfection while drawing additional details after the initial work is done.
The mendala novelty wormhole, is exactly as before but I have added an additional trick of following the similar appearing reality farther from where it was found to continue experiencing the alien world.
This even allows observing doppleganger worlds of unlike parallels in what is seen often in one place now seen in pareidolia elsewhere. It means simply seeing something familiar in a location where it should not be like the place you are seeing.
These features of doorways have higher utility with the entryways because these worlds found reveal physics that can be explored deeper within the entryway scale of greater objects and pareidolia modified larger structures given new physical functions.
This means a more complex physics of the physics themselves. It is shown below and features an additional tool of manipulation that I thought of while working on this part.
The addition is the capacity to spin or rearrange a pareidolic object so it animates and changes behavior infront of you as you watch it or observe it while still.
The additional physical aspects for small objects is additional layers of physics under initial forms described for further complexity and exo-scale additions connected unseen, such as a bottle with dented features added to the nature of the room as its walls and identical reality as both. Meaning the bottle and the walls of the room are seen as the same.
The larger object modifier, notes a feature of the larger object not used and adds features to it as modifiers of the larger thing, potentially including additional steps of use such as using your bed as a shelf but needing to remove the stuff before sleep.
The next portion is the sky and the physics of before links to it through the powers of both its day and night that reveal both the meaning of things given to another thing and the plor of the planets given appearence on other situations.
The connections to what was before is this sky and its transference to the entryways and below which allows things to have new interpreted values of use. The deeper understanding is below:
The skyline of this physics, is now the entirety of what we see and the objects of everyday also lead to other worlds depicted and meanings of clouds found.
These meanings are gained from the form we see outside and their details made as part of the meaning with an interpretation of the form as a symbol apart from the details seen.
The planets of plore are navigated by the repeating details and pareidolia inside them, revealing alien worlds and the properties inside a seen object or the drawing themselves lead deeper into the plor of those planets.
These are important because the next scale is the last and represents the flowverse we have not described, the sky is relevant because it is just before the scale of what we cannot see and this scale is composed of four things.
These four things are the corebit of realities and the particles of hazeform, the polygons of surfaces and the strings of words and these are what form what cannot be fully seen by ourselves and are the reality of the flowverse.
It also contains the fish symbol of traverses shown below with the names of each of its symbols that form the cycle of bodies previously mentioned.
These bodies of the outside and largest scale form the effects less perceivable of nature and physicality and then have a cycle of behaviors modelled here.
This is the pheam or fish of travels and is the cycle in both directions which particles, polygons, strings and corebits travel through to arrive in another location disconnected but paired by the pareidolia that is matched as we see it.
This refers to the doorway dopplegangers from previously and means in most simple that a place that looks like another is connected by the same path of pheam.
The pheam changes effect this cycle creating corebits, particles, polygons and strings of the exact kind found there whenever a change they exist as occurs.
These changes alter the matched similarities that exist somewhere and form a cycle of changes whose pattern is unknowable but it's repetition of form in an area signals it's proximity.
Meaning seeing a red rose implies another red thing nearby and other features like something else found often suggest more of its kind present nearby as well.
For example, one broken window in a city implies more will occur, just as much as more dishes in the sink will guarantee more in the sink. This is the same as one plant of a kind seen means others are likely around the area somewhere because of seeds being planted.
It is not always accurate to what one is seeking, but pareidolia if used will always find it nearby, it may simply not be the exact connection one is seeking and so the tool is better understood in its method of manipulation and not natural reality.
The fact most important is that repetition of a pareidolia continues as long as the repetition is repeated and the experience is percieved in the area, even when one is not aware what they are seeing is repeating the previous patterns seen in ways seen elsewhere until lost and another seen.
However to use this beyond a simple capacity to continue experiencing an observation by continuing to view it there and elsewhere, we must discuss the manipulation and utilities of the four stated parts of the less perceived physical reality.
Below is a depiction of these parts in an example setting they are encountered, that also features several modifiers listed for how one can manipulate them.
The previously discussed doorways and entryways are most obvious as corebits because they are the most immediate formation of a reality in our experience, other encounters spring from outside the observers control.
These are examples of the referred features outside the seen in their limited references of what we actually can see of them.
Each represents a part of reality more complex that is not easily accessible and can only be understood in experiment and study as each moves behind the scenes and requires a special method to access their natures.
This method is experiments and modelling of their features that effect portions see, resulting in what we actually perceive and are necessary for more intrinsic manipulations. As each creates a part of physical reality that is necessary, but not actually observed in behaviors for being outside it.
As such the following part will discuss aspects of it that can be modeled after some experiments described and help us understand what creates the behaviors we encounter often but in a manner that is natural and not correctly manipulated for not being within what we can immediately observe.
The nature of the underlying reality which the four parts of the pheam exist in are composed of the 6 parts of the pheam which represent outside,substance, inside, color, energy and shape.
While the immediate appearance of the four portions resembles their descriptions as shifts of reality, particulates, flat surfaces and outlines, what they appear as in reality must be modeled from our view.
The following image, shows models of outside the seen and these models also feature ways to modify the properties that are described on the outside of what is immediately seen in the final scale.
These are the underlying unseen features first appearant of the listed four portions of the pheam, each will be described in some detail below and their manipulations are used within the pheam portions as modifiers of these things which change a manifested pheam cycle.
It allows a pattern repetition in either direction and a visible repetition of features as well. An example object created is shown afterwards, followed by a larger invention using all scale parts. We will also discuss emotes here while I originally thought this would be at another time.
Hazeforms are photoforms that are physical rather then inside ones own perception and actually exist in reality outside your mind. Their are two examples in the following explained portions.
Corebit Auraball tubes
The corebit looks like a continued manifestation of a world one is aware of in their surrounds and its appearance is the appearance of that worlds features around oneself.
Underneath the seen this appearance is changing position in time when it does by the tubes of position moving and re-orienting themselves in the unseen space. Balls travel through these tubes and space and represent current observations of the world that exists there when it does and these move along the tubes. The aura surrounding these outer spaces beyond the tubes represents the shifting of displaced non-repetition and form the spaces where things do not repeat between tubes.
These are manipulate by ourselves through the processes of our position in existence and the location of the corebit found itself that can be changed to create other situations of this space and can be removed by removing the pattern with the aura. These interact in various ways together to form an experience of moving worlds inside the whole existence that emerge and recede with time.
Corebits can represent shared ideas of a given universe being repeated on the internet and the appearances of certain realities reemerging in other positions and locations.
Particulate space Pointlines
The particles of Folden are different from science, they are seen as the most absolute details of something at the smallest visibility and can be sculpted by arranging their patters with hazeforms.
Underneath reality seen, this space is composed of a special space of contents that borders itself in sections of contents and contains different arrangements of points representing patterns of the seen particles which are connected by lines that form the overall viewed experience of these scatterings of particulates.
They are manipulated in actual reality by the process of modifying the points we see in their exact forms of texture and appearances, modifying the used contents of substance for a given situation which results in a different overall texture and changing the way we see this arrangement as a pattern in our observations of pareidolia creating the lines.
These build up to geomets which are the overall structure pattern of a thing observed internal and forms a density of appearance with a micro geometry.
Particles on folden only have a substance property and color and are unlikely to be chemically reacted as these colors and properties are micro details of used paper for building thicknesses of detail and processes.
Polygonal Stackray blips
The polygonal physical portion of reality is what creates the flat geometric surface of an object and it forms the extent complete of it and its angles of shape.
The underlying functions behind it are the stacks of flat surface geometry which represent the surfaces of anythings one side as the whole collection of them all in one space.
The rays on this stack set of flat shapes represent the distinctive divided cuts in use at a given time and are the way the shape becomes apparent in the seen. It is formed by the divide between parts of the stack and these are communicated with the particulates to meet as the object.
These are locked in place by blips that surround the stack and this ensures only the changes done to the object change the given structure of the distinct cut of the stack.
These same stacks, cuts and blips create the resulting polish in their distinct arrangements that represent the whole form of the object and its sides made. This whole set is modified by organizing the sides of a paper object as designed and arranging them as intended until they are made stable.
The polygons allow the work of surfaces and the contact of the object and this means they provide the object with a given shape that forms the extent of its behaviors physical.
String Warpguide pyre
Strings create the immediate distinction of an objects different parts and divides it from other things as the edges of something itself and is compared to the polygon which is the edges surface while strings are its extent ended. They allow manipulation of space around it.
The underlying nature of strings is formed from warpguided pyres which firstly are warp holes into any direction of curvature which allow the objects exterior to meet with what else is inside its range.
These are linked by guides of lines that create trajectory of linked paces and form connective divided distinction in movement of difference and the pyres are the extent of these warps which exist as outwards spacial photoforms on the object sculpted by the edge. These hazeforms represent the edge of an object and distinguish its effect on space.
These aspects are manipulated by changing the position of a divided detail on something or around something to form a new arrangement of divided detail, the positions arranged.
Closely linked form motions of pattern in directions of view of distinction that create certain divided experiences and the hazeform is modified by changing what is immediately at the edge of something so it occupies a different pyre of effect.
Strings are important for pareidolia and create unique arrangements of view but also allow navigation of an area and the manipulation provides a way to control the details of divided observation. Together these three parts allow angulars of divided view which create an experience of patterned distinction in diverse variety with the rest of the portions used.
Pheam constructed object example
This shorter portion will use our largest scales reality of repetitions of form within the construction of a given object, this object will repeat the forms of a drawn chememe.
The chememe is an icon one draws that represents a style of appearance and a meaning for a potential world and I use them throughout the omniverse. The chememe used is obvious in the shown object I will be drawing. However the chememe's meaning represents the subject that the pheam object will be used within, but not what the object itself does.
The chememe subject for this object is Arcanevirtle forms and this idea has been merged with the subject of Emotes as they are reasonably similar, a portion of information about it will be given afterwards.
The pheams aspects are modified by the four portions in travel through them and this means the image shown of the object is a created object that was a manipulation of outside,substance, inside, color, energy and shape.
These were modified with the given and previously shown modifiers in various ways and the object is designed to feature self repetition of nature within itself from different parts of its structure.
The object built is given no meaning or use and is considered a free agent object that can have many potential realities. Since its use represents many self repeating pheam natures and has one additional feature referring to its directions of traverses.
We create the flowverse repetition pattern in two directions, meaning the object is planned first and drawn from two initial points of origin and these ends move through the parts of the pheam that represent the order of shaping and the repetition kind that the previous part of the pheam is flowing in cycle into.
Meaning, as an example the outside of something could be curved in shape and thus the substance inside that outside has connection to curvature because it is made of tinfoil and curves reflected light, the tinfoil then repeats in the inside of the object as a sharper nature of its shape because metal is sharp.
This creates an object that repeats itself in changing details, however the object is also manipulating the 4 portions of its unseen physical reality and these are parts of that repetition.
While the example object uses the fish dual direction flowform, other forms can be made with the same symbols it contains or other symbols can be made to represent other repetitions of pheam.
The object is unknown in nature when designed then its skyline day provides a use of its potential options and can be used with skyline night to view an alien planet of its plor. The example will be within a scenery of its planetary plor and thus will fit its own theme.
It is below, depicting the central object that has a repeating flowform of the fish pheam and has a described meaning and use that follows the image:
The Arcaneon of Startowers, in the valley of hall ends.
This is a object that is somewhat difficult to make with paper in the exact form above as it would require a printer for the hue shifting to actually build the designed thing. The object is a Arcaneon of specifically a startower and is within another worlds scenery.
An arcaneon is part of the subject matter that is Arcanevirtle forms and is the subject of using pareidolia to build Iconographic objects of natures which are technologically advanced but old and so meaning extinct within. The context is that building them brings them up from a place of the far forgotten of any being and its history who finds them.
The world we have depicted is one of these places of the Arcane and it is filled with objects that are abandonned as nature and never were built by beings of sentience or anything known to have ever existed. These objects are strange and advanced icons of something unlike the today of where they are as advanced tools of a yestermore far unknown.
They can be built in Folden but the world is studied at the distance of art that follows the plors of this and continued deeper explorations of its lands, in repeated themes found as one ventures there. The reality is then built here in its desired pieces which must be studied and understood to be used evidently.
The previous image of another world within the multiverse explored by folden, which came from the devices we built in reality are not the denizens of the world of Arcanevirtle and are actually a plant like non-sentient entity which makes noises Icon emotes. The picture is reshown below:
The whatever of cannot be known that built and lived here that are no longer here in the Arcanevirtle, will never be known especially without studying their once found world of living.
The device shown centrally in our pheam image, is a Startowers and is a single object that is the plural word Startowers. It's use is as an Arcaneon which is a device of forgotten age that is vibrancy and composed of the nature of light sent out and light received and these are used for interactions of the unseen.
The Startowers form is one of such devices and like all of these devices is also something greater and a Startowers which is exactly what it sounds and looks like. It is a celestial piling of towers for Iconography that ray light seen and unseen from its reflections and absorbs it as well.
This device creates the subtlety of the pareidolia around it like any Arcaneon and its effect inspires what is seen by the eye intentionally and unintentionally by a user. The towers of celestial being that is its appearence, are themselves an Icon and an Icon is a symbolic emote which is always seen. It displays all vast possible set of interactions the Icon can have as the exact thing it is as an Icon.
Basically it is what it is and an Arcaneon that changes the exact stumbled and perceived pareidolia in a given context by both changing vivid and subtle lighting in a space. This change of lighting causes the situations appearance to change and means what one perceives most likely is changed.
Emotes are Icons that are not always seen and exist in the environment as spontaneous pareidolia in the moment, they can also be used as interactions of their kind in exactly what is seen but Icons can be carried around and deeper manipulated by the fact that they are objects built.
The object behaves as exactly what it looks like because that appearance is its behavior and thus the Startowers does what it is and looks and is what its name is called, its modifiable contexts with the rest of the scale allow diverse additional things.
Icons and Emotes are useful to Folden and Arcanevirtle is a forgotten world that uses the same Pareidolia reality but in an alien way, like all worlds explored by Folden. Folden is one world of a multiverse that studies Pareidolia in distinct realities of appearance and interests and the like.
A final created work of Pareidolia
Below is a set of tools used for a purpose described after, which use the previous whole scale except flowverse which will use icons instead. The examples in sometimes novel shapes and contexts, have been changed from the random shapes of the previous examples. This is because Pareidolia and the mind can only recognize what it has seen before so viewed forms are always familiar.
Unless explicitly trying to do or view something unfamiliar what is seen will seem normal, where unknown it must be given a purpose through knowing what it can do. This may mean experimentation with the features seen or assumed possibility from previous experience.
Thus the objects will use randomly created physics shapes put together with uses created for them and will also use diverse parts of the rest of the scale at the same time to allow more complex uses for pareidolia then previously seen. The original equivalent to television first shown on this post will also be used in some manner.
All that is left after are the characters who explore this multiverse beyond the post and the Persomnia of this world. Below are the objects designed.
The toolkit of interacting experiences, for experiences unexpected created and grown. Which are discovered during the creation and use. As this set of objects forms a space of diverse real unknown appearances interacting with the recognized. It can be called a laboratory.
This set of objects is a group of object classes for having and creating experiences of material nature within the possibilities of the given pareidolia which form these rich focus point objects.
Each allows a different aspect of experience within their design and application that allows a user to do diverse things in variation by ones designs. Each created object follows a specific pattern of creation and use but the inherent variation of their exact appearance is user created.
Below each numbered object is given an explanation of practice and I may be making my own set at some point myself for experimenting with these things, however this has not yet happened so if I do it will be posted on reddit as an image.
- Hollow shapes with distinct geometry and an internal weight in one position of that geometry which influences where it will fall and if it will remain as it is placed. These have diverse outside appearance and behaviors and are used for emulating motion of objects inside their parei possibility. These have several superposition focus points on them for hyperpositions.
- A flat peice of paper with a drawn imagery that while mostly a random pattern resembles a potential scenery in its varied aspects and display and is used with similar shapes that are placed on it to created modifications of that scenery and represent the background or objects within it in both flat and shaped parts orientations. Used for viewing random scenes and using potential objects of one side of the whole shape.
- Cut out flat pieces of paper on cardboard, with colors and some having added symbols for dingers. These are linked by connection lines on the shapes as well and can be dual sided for additional space. The appearance created and linked creates the relevant utility of the internal effects produced by the dingers in its arrangement as found in their definitions. Also have superposition hyperposition focus points on the pieces.
- Folded papers with drawings of worlds on either side, that can be placed standing and are simple doors to those worlds as images which can represent environmental parei and experienced artificial extensions of ones home.
- Icons built by stating a short visual description composed of two words juxtaposed that are built as an object which those words describe and this object is that exact thing made which can be used as exactly what it is and creates geometric and positional interactions with other things.
- A cube with a diverse parei viewport of positions which when viewed and a pattern located and interpreted represents the answer to a question asked about unseen reality and the nature of properties of physics. It allows the user to gain insight into physical reality and deepen an understanding of matter unseen or unconsidered.
- The complex folded and arranged paper, similar to the original object shown for entertainment, it features drawn and repeating patterns of details which display potentially interpreted situations of physics, which are viewed through a given skyline day and provide projections of the information into the room as larger pareidolia. They create new ways to use the normal room.
These objects work together in tandem to create diverse possible behaviors which are the exact things they depict in use as themselves in a situation. For example an Icon can be placed within either scenery objects range as an object of the situation or the cube of physical insight can be used to reveal things that can be done with the arrangement to begin with in its physical nature.
The result is a set of tools for experimenting with physicality and pareidolia and allows diverse events of the appearances they create and the uses and motions that they are given or caused to occur. This laboratory of the natures of physicality can be learned from overtime to then build more complex things from the knowledge one gains off the basic experimental tools.
This concludes the portion of Folden's reality described which was about it's physics. It also concludes the subject of this post.
The use of Pareidolia as a tool for modelling and studying objective reality within its ranges is useful and provides a simple way to invent something that behaves a certain way and is used by mind in another. The world of Folden uses this to explore worlds by experiencing different tools inside different landscapes built and is one world of the multiverse of Avondale.
In future exploration of this subject and world we shall see what further advancements can be made to these basic ideas and observe larger sets of example inventions possible within this reality.
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